1) THE ROAD TO ERZÌN jan 99 For viola, piano, alto saxophone, percussion (2 players), and live electronic sound-processing.
I've been lucky enough to have travelled in Buryatia, Khakassia, Tuva, and the Altai. This music is a tribute to the musicians of central asia, the morin-khuur and toschpulur and khomus players from whom I stole not so much the tunes as the hint of another kind of conversation with the world. Kenin Lopsan said; a man who trembles in fear from having seen a snow-lion may be cured by an infusion made from the charred splinters of a lightning-struck tree. Violins were also made from such trees and used in curing rituals.
supported by 4 fans who also own “The Road to Erzin”
With the publication of Marcus O'Dair's new Robert Wyatt biography,now seems to be the perfect time to revisit these wonderful 'Machine Molle' recordings...Wyatt in his pataphysical prime (maybe,perhaps,possibly). Whimsical nonsense and wonderful musicianship combine in the quintessence of 'Englishness'...tiddly pom! John Cratchley
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